FROM THE DIRECTOR
I want to speak of my country from a very personal angle, and from a very precise point of departure - the place where I live. The more I stare at the locked doors that I have been faced with all my life, the more I realize how much about Serbia can be understood by talking about divided spaces.
The plot of the film grows like a spiral: A personal investigation into divided space (unfolds) a family chronicle (which becomes) an account of turbulent times (that ends up portraying) a story of a country.
While the story unfolds inside the apartment, the view from the windows lets us enter a Serbia rarely ever seen in the media. I have been filming from the windows for the past 10 years, creating an archive of dramatic and intimate moments taking place on the streets below.
What is the story behind a locked door and an apartment full of history? That an individual is powerless before the forces of politics, or that she is defined by the choices she makes in those situations?
I want to speak of my country from a very personal angle, and from a very precise point of departure - the place where I live. The more I stare at the locked doors that I have been faced with all my life, the more I realize how much about Serbia can be understood by talking about divided spaces.
The plot of the film grows like a spiral: A personal investigation into divided space (unfolds) a family chronicle (which becomes) an account of turbulent times (that ends up portraying) a story of a country.
While the story unfolds inside the apartment, the view from the windows lets us enter a Serbia rarely ever seen in the media. I have been filming from the windows for the past 10 years, creating an archive of dramatic and intimate moments taking place on the streets below.
What is the story behind a locked door and an apartment full of history? That an individual is powerless before the forces of politics, or that she is defined by the choices she makes in those situations?
